Sunday, November 24, 2019
Free Essays on Stravinsky
Second Style: 1908 to 1919 à · Begins with Fireworks (1908), which he extends to his three great ballets: Firebird (1910), Petrushka (1911), and The Rite of Spring (1913) à · Higher use of dissonance, with themes often taken from folk music à · Varied rhythms with extensive use of percussive elements in all instruments à · Tonally, he basically uses diatonic materials including modes and continued use of ostinato à · Expanded virtuosity of orchestral members, utilizing solo instrumental writing (often in extreme ranges) à · Rite of Spring Real Audio for Emory Student Only o Introduction Works o Firebird (1910) o Petrushka (1911) o Rite of Spring (1911-13) o Suites Nos. 1 and 2 for Small Orchestra (1915) 1918-1950 Neo-classic Period à · Economical use of material with smaller instrumental forces; often employs satirical wit à · Uses "absolute" classical and baroque form: song forms, sonata forms, fugues, suites, concerto grosso, and canons à · Emphasis on wind instruments with limited use of strings à · Primary concern for clear, concise organization à · Very little chromaticism sometimes "pandiatonicism" à · Transparent textures replace lush, instrumental combinations à · Tried to eliminate pictorial and literary "meanings" from music Works à · L'Historie du Soldat (1918) à · Pulcinella (1919) ballet based on themes of Pergolesi à · Piano-Rag-Music (1919) à · Symphony of Wind Instruments (1920) à · Les Noces (1914-23) Ballet à · Sonata for Piano (1924) à · Concerto of Piano and Winds (1924) à · Serenade in A for Piano (1925) à · Fairy's Kiss (1928) based on themes and style of Tchaikovsky à · Oedpius Rex (1927) opera-oratorio à · Apollon musagà ¨te (1928) à · Capriccio for Piano and Orchestra (1929) à · Symphony of Psalms (1930) à · Concerto in D for Violin and Orchestra (1931) à · Persà ©phone (1934) à · Jeu de cartes (1936) à · Concerto in Eb "Dumbarton Oaks" (1937) à · Symphony in C (1939-4... Free Essays on Stravinsky Free Essays on Stravinsky Second Style: 1908 to 1919 à · Begins with Fireworks (1908), which he extends to his three great ballets: Firebird (1910), Petrushka (1911), and The Rite of Spring (1913) à · Higher use of dissonance, with themes often taken from folk music à · Varied rhythms with extensive use of percussive elements in all instruments à · Tonally, he basically uses diatonic materials including modes and continued use of ostinato à · Expanded virtuosity of orchestral members, utilizing solo instrumental writing (often in extreme ranges) à · Rite of Spring Real Audio for Emory Student Only o Introduction Works o Firebird (1910) o Petrushka (1911) o Rite of Spring (1911-13) o Suites Nos. 1 and 2 for Small Orchestra (1915) 1918-1950 Neo-classic Period à · Economical use of material with smaller instrumental forces; often employs satirical wit à · Uses "absolute" classical and baroque form: song forms, sonata forms, fugues, suites, concerto grosso, and canons à · Emphasis on wind instruments with limited use of strings à · Primary concern for clear, concise organization à · Very little chromaticism sometimes "pandiatonicism" à · Transparent textures replace lush, instrumental combinations à · Tried to eliminate pictorial and literary "meanings" from music Works à · L'Historie du Soldat (1918) à · Pulcinella (1919) ballet based on themes of Pergolesi à · Piano-Rag-Music (1919) à · Symphony of Wind Instruments (1920) à · Les Noces (1914-23) Ballet à · Sonata for Piano (1924) à · Concerto of Piano and Winds (1924) à · Serenade in A for Piano (1925) à · Fairy's Kiss (1928) based on themes and style of Tchaikovsky à · Oedpius Rex (1927) opera-oratorio à · Apollon musagà ¨te (1928) à · Capriccio for Piano and Orchestra (1929) à · Symphony of Psalms (1930) à · Concerto in D for Violin and Orchestra (1931) à · Persà ©phone (1934) à · Jeu de cartes (1936) à · Concerto in Eb "Dumbarton Oaks" (1937) à · Symphony in C (1939-4...
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